December 30, 2021

A time of goodbyes

It’s been another strange year in these Covid times. While 2021 is drawing to a close 2022 is shaping up to be equally challenging. We’re all learning to navigate our way through a new reality without a reliable guide, map or compass.

This year has been a time of loss, both of well-known people and of the less well-known. During the last couple of months the sudden and unexpected death of a friend and former neighbour was a shock. We reconnected with Stuart when he returned to Tasmania after living overseas for several years and set about renovating his little house across the river from us. Despite being the unlikeliest candidate to be felled by a heart attack, ticking none of the boxes generally associated with cardiac issues, this was Stuart’s fate. Proof of the adage that one really does never know the hour or the day, and living each day like it could be your last really is the way to be. He certainly packed a lot of living into his 70-odd years, travelling to, and really immersing himself into, the cultures of more countries than most of us would experience in ten lifetimes. We will miss him.

I posted a photo of this rather spectacular gladioli on social media for both Stuart and Ruth – a friend and former colleague at Osborne Public Library where I worked before moving to Tasmania, and who died earlier this year – as well as for the three far better-known Tasmanian identities, all of whom died within weeks of each other: Tim Thorne, Annie Greig and Peter Cundall.

I’m not generally a fan of gladioli but the bulbs were in the garden when we moved to this property, and they certainly have their own appeal in the right situation. This one was certainly impressive, and a giant even for a flower that’s known for its height.

For many Australians gladdies are associated with Dame Edna Everage aka Barry Humphries. I still tend to associate them with funerals – tribute sheaves, and casket arrangements. It goes back to my previous life as florist shop co-owner.

But the analogy holds given that during the closing weeks of 2021 Tasmania – and particularly Launceston – lost three of its finest people in Tim, Annie and Peter. They were all leaders in their field, and were truly lovely, caring and generous individuals. I feel privileged to have known all of them, albeit not necessarily well, or for lots of years.

So in memory of all these impressive people: renowned poet, writer and environmentalist Tim; dancer and cultural icon Annie; and Peter: writer, horticulturist, gardener extraordinaire, and champion of the environment, this tribute is for you as well as Stuart and Ruth..

Tim was a fine and witty poet, and a tremendous advocate for fairness, justice and the environment. He was also on the Red Jelly panel, (when this little Tasmanian publication was still going) that gave the tick of approval to one of the first short stories I ever submitted. So Tim was also behind my very first publishing success. I cannot pretend to have known him well but certainly recall a memorable trip to Campbell town with Tim (I was driving) during the pulp mill campaign to meet up with a group of fellow environmental and political activists from around Tassie. It was a rather interesting if fiery meeting with some people who held more extreme views than I had – or have – but Tim was certainly one of the still but steely voices of reason and comparative calm. When he could get a word in!

 

For many years I knew Annie Greig as the long-time director of Tasdance. She was always at the theatre door with her lovely warm and welcoming smile before each of the performances. Much more recently I knew her from cardio and Pilates classes at the uni, along with the oxygen tank that was by then beginning to accompany her everywhere. Exercising to Annie’s infectious laugh, joyful attitude and incredible optimism about her situation was an inspiration.

 

 

 

 

 

 

And Peter Cundall, who was such a fabulous caring man whose passion for gardening, and his knowledge about plants, was immense. I felt hugely privileged to call him a friend, getting to know him and Tina during the long years of the pulp mill campaign, and exchanging several emails during those years.

 

Peter was a familiar figure to me before the pulp mill years though, as our paths frequently crossed at the newsagents on a Saturday morning during our flower shop years. After finishing his stint at ABC Radio discussing all things plants, he would buy a copy of The Age, (while I was collecting a copy of the Ex) then hide behind its pages while enjoying a coffee at The Muffin Kitchen, our commercial neighbour in the Quadrant Plaza. It was clear he hoped to avoid being disturbed by yet another question about lemon trees, or what to do about curly leaf. Then, of course, I will always be grateful he generously agreed to my request to launch ‘Breaking the boundaries: Australian activists tell their stories’ – in Launceston, as per the publisher’s request. This was a book in which I had an essay about the aforementioned pulp mill campaign. Peter was a truly lovely man, and he will be very much missed by so many.

 

 

 

 

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By Anne Layton-Bennett July 22, 2026
Attracting the interest of a publisher for this story of a community’s campaign to stop what would have been ‘the world’s fourth largest pulp mill’ being built was never going to be easy, but hoping the first of two 3-minute Literary Speed Dating pitch sessions will prompt at least one of the two publishers to request the full MSS. And preferably both of them. These twice-yearly Perfect Pitch sessions are offered to members of the Australian Society of Authors, and this is the first time I’ve taken advantage of them – mainly because of the need to have a completed MSS before doing so. Three minutes isn’t long to excite the interest of a publisher who is after stories in very specific genres, and who therefore needs to believe your MSS is worth investing the time needed to read it in full. I’m pretty certain I’ve excited the necessary interest, but given Jane will hear the pitches of many more optimistic and talented writers after my morning session today, there are no guarantees. That initial interest might well wane as the day goes on if other writers have written stories that sound far more intriguing – and marketable. One can never forget that aspect of publishing these days: will the book sell. I believe my story will – certainly in Tasmania it definitely will – but a wider Australian readership? That’s an unknown even if my mentor is convinced of the story’s universal appeal.  I’d certainly like to think I’ve caught the zeitgeist wave given the current widespread community unrest over AI data centres, that’s already prompting similar serious opposition, and for many of the same reasons the Tamar Valley’s community opposed the pulp mill. Environmental degradation, threats to public health, water usage – and water shortages in an era of escalating climate extremes – and the constant, relentless noise factor that’s associated with data centres, and AI data centres in particular. I’m crossing my fingers that the second pitch session will be equally positive, and that I could strike it lucky with both publishers requesting to see the full MSS. But I won’t get ahead of myself. I’ll just be keeping all fingers and toes firmly crossed for the next seven days.
Magni
By Anne Layton-Bennett June 14, 2026
It’s taken far too many months for this marvellous model to grace the dedicated desk space in my office. When Fiona comes to visit next she will be very surprised, and hopefully gratified, that her amazing creative talent is finally on display. We’ve known each other for a very long time, and during the insanely busy time when I was helping to run the flower farm, working part-time in a school library, doing a spot of journalism on the side, and fighting the proposed pulp mill that is the subject of the manuscript I’m hoping to get published, Fiona cleaned my house each week. There’s only so much a person can do after all, and it has to be said cleaning our house during those manic years was fairly low down on the list of my priorities. But Fiona is a woman of many talents and she certainly possesses one that I so don’t have: sewing and dressmaking. So over the years she’s also made a few garments based on the pattern of a favourite garment that I was particularly fond of, and she’s also done some clothing alterations for both of us. My skills with needles and thread are limited to sewing on buttons, and taking up hems on John’s too-long pairs of jeans. Anything else is beyond me. But this fabulous model is the pièce de résistance – along with the beautiful crocheted knee warmer she gave me last year. This was when winter was approaching and so determined was I to finish writing the book, I decided to get out of bed at the insane hour of 5am and get in a solid hour’s writing in before dog walking and the demands of the day took over. Fiona was also one of many Tasmanians who needed to be circumspect about her opinion of the pulp mill. It was a project that polarised people, including families and friendships. She was one of several who passed on snippets of useful information, but on the basis of anonymity so it couldn’t be sheeted home to her.  Needless to say Fiona will be one of those whose contribution will be acknowledged – when this book is finally accepted by a publisher.
By Anne Layton-Bennett June 8, 2026
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