June 14, 2022

Spark of hope

Awards and grant opportunities for non-fiction writers working on book projects are nowhere near as plentiful as they are for fiction writers, so when a friend sent through the link for Hardie Grant’s Spark Prize, it took me about five minutes to decide to enter once I’d read through the guidelines.

That decision was the easy part.

After re-reading the guidelines, and the submission criteria several times, entering this award wasn’t going to be quite the piece of cake it looked like at first. After all my work was in progress, I’d written multiple bios of varying lengths by this time, and I had a previous submission for a similar award offered by the Australia Institute 18 months ago. Surely a quick re-write to bring things up-to-date would be enough.

Well, no.

Needless to say I wasn’t successful with the AI award but writing a succinct yet detailed synopsis was a valuable and worthwhile experience even so. The criteria for the narrative non-fiction Spark Prize are even more stringent with their requirement to provide a detailed chapter outline of the work-in-progress. Understandably Hardie Grant want to be sure they are investing in authors serious about their particular project, and that a significant start on it has already been made. A chapter outline, detailed or otherwise, isn’t something I’d given any thought to at all. I was just ‘getting it down’ as it had been suggested I do, not get bogged down in the finer detail of what happened when, and by whom.

So that part took longer to do than expected, and the 3000 word limit that I initially thought was rather generous, turned out to be barely enough. It also meant I had to dig around in the less-than-perfectly-organised documents and files on my computer to check on certain facts, figures and dates. It was a valuable reminder of the importance of up-to-date careful filing, dating and labelling, and necessitated a spot of much needed organising and sorting. At least now information retrieval has been made easier.

My lovely mentor Robyn has generously offered to read through my completed submission before I send it off, so now it’s a matter of awaiting her verdict and hoping she doesn’t suggest too much rewriting given the deadline is only a matter of days away, and my attention now needs to turn to ongoing work opportunities, ones for which I also get paid!

Image courtesy of Google images (unlicensed)

 

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Magni

Fiona's gift

By Anne Layton-Bennett • June 14, 2026
It’s taken far too many months for this marvellous model to grace the dedicated desk space in my office. When Fiona comes to visit next she will be very surprised, and hopefully gratified, that her amazing creative talent is finally on display. We’ve known each other for a very long time, and during the insanely busy time when I was helping to run the flower farm, working part-time in a school library, doing a spot of journalism on the side, and fighting the proposed pulp mill that is the subject of the manuscript I’m hoping to get published, Fiona cleaned my house each week. There’s only so much a person can do after all, and it has to be said cleaning our house during those manic years was fairly low down on the list of my priorities. But Fiona is a woman of many talents and she certainly possesses one that I so don’t have: sewing and dressmaking. So over the years she’s also made a few garments based on the pattern of a favourite garment that I was particularly fond of, and she’s also done some clothing alterations for both of us. My skills with needles and thread are limited to sewing on buttons, and taking up hems on John’s too-long pairs of jeans. Anything else is beyond me. But this fabulous model is the pièce de résistance – along with the beautiful crocheted knee warmer she gave me last year. This was when winter was approaching and so determined was I to finish writing the book, I decided to get out of bed at the insane hour of 5am and get in a solid hour’s writing in before dog walking and the demands of the day took over. Fiona was also one of many Tasmanians who needed to be circumspect about her opinion of the pulp mill. It was a project that polarised people, including families and friendships. She was one of several who passed on snippets of useful information, but on the basis of anonymity so it couldn’t be sheeted home to her.  Needless to say Fiona will be one of those whose contribution will be acknowledged – when this book is finally accepted by a publisher.

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