July 2, 2017

Location puzzle

We’re currently enjoying seeing the celebrated Downton Abbey series, thanks to the loan of the boxed set of DVDs. I already knew the pile of stones that is the fictional Downton, is really Highclere Castle, a UK stately home I know reasonably well since Highclere village is where my grandmother and aunts lived. I’ve often walked the castle grounds, and toured the house – most memorably in the ’80s after renovations revealed a trove of Tut’s treasures hidden away in a secret cupboard, and later exhibited in the castle basement before being sent off to – presumably – the British Museum. It was a fascinating time.
But while I’m enjoying the Downton story, my disbelief often fails to be entirely suspended because the location simply doesn’t ring true.
Highclere is in Berkshire – a county of lush, rolling and very picturesque English countryside, and which if I’m honest is a bit claustrophobic for one who prefers the wild beauty and clean air of windswept craggy Yorkshire moors. Yet my native Yorkshire is where Downton is set. In the vicinity of Ripon to be precise, so the accents – and the chiselled stone buildings – are all North of England. It therefore jars to see Highclere Castle, which is built of the warm, mellowed red bricks common to the county, taken completely out of context for the purposes of television, and transported to the Yorkshire Dales. It makes me wonder how often this occurs when filming other drama series.
Certainly this series must have been logistically interesting in that respect. A lot of the filming of course was done at Highclere Castle, but then the film crews must have had to hightail it 200-plus miles up the MI for all those Yorkshire scenes at Ripon and Kirbymoorside – and maybe other areas as well where houses and buildings historically right for the period – are located.
Yorkshire has proved a popular location for a number of TV series – and I can remember when ‘Heartbeat’ first screened back in the ‘90s picking the location immediately as Goathland, a village also well-known to me from numerous holidays staying with a close friend and her family, in the cottage they owned there. It gave an extra dimension to my enjoyment spotting all the places that I knew so well, and that were the location for so many of the scenes.

And ‘Last of the Summer Wine’ was filmed a few miles away from where I grew up in West Yorkshire. It’s a show that put Holmfirth on the map, as it were, and it’s profited from the notoriety in all the years since becoming a thriving community that has attracted artists from across the spectrum, and that hosts a renowned arts festival every year.

Meanwhile back to Downton Abbey, where we’re currently somewhere in the middle of series three.

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By Anne Layton-Bennett October 27, 2025
Well done to the north-west Tasmania branch of Fellowship of Australian Writers . Once again their editorial team led by Allan Jamieson have produced an excellent anthology, with the intriguing title – as above – and an undeniably quirky cover. The rather wonderful octopus is just one of the creatures on it, indicating a watery theme until your eyes pick out the morose-looking frog, sporting what appears to be a death-cap toadstool hat, and a moustachioed chap apparently hitching a ride to work on a magpie. They all suggest an intriguing mix of writing to be explored within. I appreciate I’m a little biased in promoting this collection of stories, memoirs, poems, anecdotes and travelogues of far-flung places, since I've got work included, but after my copies arrived in the post last week, and from dipping into the book already, it really does look like another interesting and eclectic read – as FAWNW’s previous anthologies have proved to be. Tasmania is definitely not short of some talented writers, even if all of them don't necessarily have a published book to their name. Neither do I as yet, but with my magnum opus finally completed, and currently being strategically submitted to publishers that are ones most likely to be interested going on their previous publications, my fingers are firmly crossed. For a first-time author I knew this part would be difficult, as well as time-consuming given the lengthy delays before possibly receiving that much anticipated email or phone call - or not if the six- eight- or ten-week deadline is reached with no news at all - but hoping that with Dr Bob Brown on-side and putting in a good word when and where he is able to do so, my submission will be plucked from the pile sent by other hopefuls. Then it will be a case of hoping it will spark enough interest to ask for a publisher asking to see the full manuscript. Strange and Marvellous Things (edited by Allan Jamieson, FAWNW) 2025 is available online or at good bookshops. RRP $25.00
By Anne Layton-Bennett October 12, 2025
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By Anne Layton-Bennett October 2, 2025
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