August 8, 2021

Mothers and daughters

I’m rather proud of this fern, which is a daughter of a plant I’ve had since our florist shop/flower growing years so we’re talking a decade or two really. The mother plant was at death’s door for a while. No idea why – and still don’t – but while there seemed to be a spark of life I kept on nurturing her and she finally rewarded me by recovering. Oh, the power of never giving up!

Now she’d found her mojo mother fern kept on thriving and over time she outgrew several pots. She is now very mature and is in the largest pot I could find that doesn’t weigh a ton and which still looks OK indoors rather than outside, but I’m running out of house room to display her in a manner to which her venerable age deserves.

However she isn’t called a hen and chicken fern for nothing, but it took a while before I had a crack at propagating some of those ‘babies’ bursting forth along her fronds. I tend to leave that sort of thing to the resident green fingered plant guru, who is a master at growing plants from seeds or cuttings. Particularly if it’s an Australian native plant – his own special passion and about which he’s now hugely knowledgeable. But I checked out some of our growing library of plant books and followed the instructions, then held my breath. Eventually five little ferns all took – four of which have subsequently gone to other homes and are hopefully still thriving. I know at least two of them are.

The fourth is also thriving, and has been re-potted twice, but this one is of a later batch and currently has pride of place in the bedroom. She is also producing ‘babies’ so as we head towards spring it could be time to start the maternity ward up again in the potting shed. Then I’ll need to find some homes for them.

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Magni
By Anne Layton-Bennett June 14, 2026
It’s taken far too many months for this marvellous model to grace the dedicated desk space in my office. When Fiona comes to visit next she will be very surprised, and hopefully gratified, that her amazing creative talent is finally on display. We’ve known each other for a very long time, and during the insanely busy time when I was helping to run the flower farm, working part-time in a school library, doing a spot of journalism on the side, and fighting the proposed pulp mill that is the subject of the manuscript I’m hoping to get published, Fiona cleaned my house each week. There’s only so much a person can do after all, and it has to be said cleaning our house during those manic years was fairly low down on the list of my priorities. But Fiona is a woman of many talents and she certainly possesses one that I so don’t have: sewing and dressmaking. So over the years she’s also made a few garments based on the pattern of a favourite garment that I was particularly fond of, and she’s also done some clothing alterations for both of us. My skills with needles and thread are limited to sewing on buttons, and taking up hems on John’s too-long pairs of jeans. Anything else is beyond me. But this fabulous model is the pièce de résistance – along with the beautiful crocheted knee warmer she gave me last year. This was when winter was approaching and so determined was I to finish writing the book, I decided to get out of bed at the insane hour of 5am and get in a solid hour’s writing in before dog walking and the demands of the day took over. Fiona was also one of many Tasmanians who needed to be circumspect about her opinion of the pulp mill. It was a project that polarised people, including families and friendships. She was one of several who passed on snippets of useful information, but on the basis of anonymity so it couldn’t be sheeted home to her.  Needless to say Fiona will be one of those whose contribution will be acknowledged – when this book is finally accepted by a publisher.
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