March 18, 2021

I’m in shock!

I still feel a bit of a fraud when it comes to my attempts at poetry writing as I don’t really consider myself a poet at all. I started writing poetry after being invited years ago to join an online weekly word game played by a few writers. Most were based in New Zealand, and the instigator and coordinator of the game is a Kiwi, but initially there were a couple from South Africa as well. The idea is to create a short piece of writing – anything from essay, anecdote, story, script or poem – from the words submitted by contributing players each week. Previously used words are not allowed, and the selection is completely random but at least three of the submitted words must be included. Sometimes this can prove quite challenging – especially if only three people played, providing just three words! There’s no obligation to play every week, but those who miss five in a row forfeit their place – although they can re-join at any time.

For reasons that remain unclear to me, poetry is usually what emerges from these disparate words, and over the years most have been political responses to whatever might be happening in the country or world at that time. Writing them provided an emotional release during the pulp mill campaign, allowing me to pen a scathing reply to whatever aspect dominated the week’s headlines.  Some will be included in the book. Poems are entirely instinctive, and follow no accepted style or form, but they have a rhythm to them even if they rarely rhyme in the traditional sense.

So they’ve become something of a social and political commentary over the years, and friends who are way more accomplished in writing the poetic form than I am, have also been generous in their praise and appreciation, even suggesting I should consider publication. Although largely sceptical and reluctant to claim a talent I don’t altogether feel is deserved, I have occasionally followed their advice and achieved some publishing success in several small press publications.

Now however, I’ve recently received an email from a US-based Australian academic, so maybe it’s time to have more confidence in my poetry-writing ability. University of California academic Eve Darian-Smith is seeking copyright permission to use an extract from a poem included in the ’From the Ashes’ anthology, published early last year as a bushfire fundraiser to assist wildlife sanctuaries care for burned and displaced animals.

The planned book is: “. . . . Planet on Fire: Climate Change and Global Free-Market Authoritarianism” which examines governmental policies and neoliberal logics that prioritize corporate interests over those of citizens and the environment. The book is to be published by the University of California Press, [in 2022] which is a non-profit scholarly publisher. The book is based on scholarly research and is intended for sale to libraries, scholars, students, and interested general readers on a non-profit basis.”

Now you know why I’m in shock!

Just ‘Wow!’ to echo the response of one of my friends when I told him!

 

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By Anne Layton-Bennett November 18, 2025
Political controversy continues about building Tasmania's third stadium at Hobart's Macquarie Point, a monument to the AFL that the majority of Tasmanians have consistently said they don't want and which they know is unaffordable at a time when public services are at crisis point. Yes to a team, No to a new stadium.
By Anne Layton-Bennett November 9, 2025
Seeking a publisher or agent for my book was never going to be easy, and so it is proving to be.
By Anne Layton-Bennett October 27, 2025
Well done to the north-west Tasmania branch of Fellowship of Australian Writers . Once again their editorial team led by Allan Jamieson have produced an excellent anthology, with the intriguing title – as above – and an undeniably quirky cover. The rather wonderful octopus is just one of the creatures on it, indicating a watery theme until your eyes pick out the morose-looking frog, sporting what appears to be a death-cap toadstool hat, and a moustachioed chap apparently hitching a ride to work on a magpie. They all suggest an intriguing mix of writing to be explored within. I appreciate I’m a little biased in promoting this collection of stories, memoirs, poems, anecdotes and travelogues of far-flung places, since I've got work included, but after my copies arrived in the post last week, and from dipping into the book already, it really does look like another interesting and eclectic read – as FAWNW’s previous anthologies have proved to be. Tasmania is definitely not short of some talented writers, even if all of them don't necessarily have a published book to their name. Neither do I as yet, but with my magnum opus finally completed, and currently being strategically submitted to publishers that are ones most likely to be interested going on their previous publications, my fingers are firmly crossed. For a first-time author I knew this part would be difficult, as well as time-consuming given the lengthy delays before possibly receiving that much anticipated email or phone call - or not if the six- eight- or ten-week deadline is reached with no news at all - but hoping that with Dr Bob Brown on-side and putting in a good word when and where he is able to do so, my submission will be plucked from the pile sent by other hopefuls. Then it will be a case of hoping it will spark enough interest to ask for a publisher asking to see the full manuscript. Strange and Marvellous Things (edited by Allan Jamieson, FAWNW) 2025 is available online or at good bookshops. RRP $25.00

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