February 28, 2017

Deadlines

From the outset I was determined not to put pressure on myself in respect of deadlines. This was one writing project where I wasn’t obliged to write to a set deadline, so while I certainly set some goals, I wasn’t going to beat myself over the head if some flexibility was necessary about meeting them. Life after all does have a habit of getting in the way, and it certainly did towards the end of 2015 as preparation for the second Tamar Valley Writers Festival accelerated before this biennial event took place in March 2016. As one of those on the organising committee there was a definite need to juggle priorities.

And all that hard work was worth it, since the Festival provided an unexpected, and unlooked for opportunity to discuss my book project with someone in the publishing industry. As a result of piquing her interest, (which I believe was more than just being polite) there was a genuine offer to contact her with the detailed proposal and synopsis – when I’ve reached that point.

Well, OK, so I haven’t yet arrived at that point, but I’m certainly a lot closer to it than I was, with just two more interviews to go before the hard graft really starts in earnest.

Then it will be a question of finding out if my vision for the book I can see so clearly in my head, will translate into real and readable words, on real and printed pages.

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Attracting the interest of a publisher for this story of a community’s campaign to stop what would have been ‘the world’s fourth largest pulp mill’ being built was never going to be easy, but hoping the first of two 3-minute Literary Speed Dating pitch sessions will prompt at least one of the two publishers to request the full MSS. And preferably both of them. These twice-yearly Perfect Pitch sessions are offered to members of the Australian Society of Authors, and this is the first time I’ve taken advantage of them – mainly because of the need to have a completed MSS before doing so. Three minutes isn’t long to excite the interest of a publisher who is after stories in very specific genres, and who therefore needs to believe your MSS is worth investing the time needed to read it in full. I’m pretty certain I’ve excited the necessary interest, but given Jane will hear the pitches of many more optimistic and talented writers after my morning session today, there are no guarantees. That initial interest might well wane as the day goes on if other writers have written stories that sound far more intriguing – and marketable. One can never forget that aspect of publishing these days: will the book sell. I believe my story will – certainly in Tasmania it definitely will – but a wider Australian readership? That’s an unknown even if my mentor is convinced of the story’s universal appeal.  I’d certainly like to think I’ve caught the zeitgeist wave given the current widespread community unrest over AI data centres, that’s already prompting similar serious opposition, and for many of the same reasons the Tamar Valley’s community opposed the pulp mill. Environmental degradation, threats to public health, water usage – and water shortages in an era of escalating climate extremes – and the constant, relentless noise factor that’s associated with data centres, and AI data centres in particular. I’m crossing my fingers that the second pitch session will be equally positive, and that I could strike it lucky with both publishers requesting to see the full MSS. But I won’t get ahead of myself. I’ll just be keeping all fingers and toes firmly crossed for the next seven days.

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