Tag: Pulp mill campaign

Serendipitous moment

Volunteering on an information stall for ABC Friends at Exeter Market yesterday proved to be a lot more beneficial than simply flying the flag for our public broadcaster, worthwhile though that also certainly proved to be.

During the course of the morning while chatting to a couple of guys about why whoever wins government in this year’s federal election should ensure restoring ABC’s funding is a priority, I had the nagging feeling I knew one of them. The question was from where? I was 90 per cent sure it was from the pulp mill campaign, but a fair amount of water has flowed under the bridge since then and we’re all several years older. Interestingly though, it turned out he was also racking his brains for exactly the same reason.

As the conversation wrapped up about the importance of the ABC’s role in ensuring we have a healthy democracy, and a public broadcaster free from political interference that’s able to hold all politicians and governments to account, I decided to ask him if he was who, by then, I was almost certain I thought he was. And indeed he was.

Needless to say once our respective identities had been confirmed reminiscences ensured the conversation continued for several more minutes, but the revelations that followed were pure gold so far as I was concerned. Everyone who chose to campaign against the mill did so for a variety of personal reasons but I’d never known what had drawn Rod into the fight. I do now though and what he told me was a shocking litany of Gunns’, and the government’s, perfidy.
It also included details that not only confirmed what I’ve literally just written about in my early and far-from-finished draft, but also included a lot more detail. And shocking, damning detail at that in respect of Gunns and the company’s appalling aerial spraying practices.

It was all eye-popping stuff, so having confirmed the email address that still lurks in my address book is current, and that Rod is happy to be quoted I shall now need to revisit and rewrite some of the passages I thought were complete. But I’ll be doing so more confidently, and in the knowledge I can tap into his own experiences of the kind of truly shocking forestry practices that were standard for Gunns during those early days of the pulp mill campaign. A time when it seemed to many that it called the government’s tune, and essentially ruled the state. These were also practices that confirmed Gunns, and some of its employees, were quite prepared to disregard both the health and safety of people, and the environment more broadly. It seemed campaigning to stop the pulp mill had inadvertently uncovered a can of very nasty worms.

Photo credit: Garry Stannus

A stint in the spotlight

Nobody was more surprised than me when I was asked to be the guest poet at the monthly gathering of Tas Poets Performing. I’ve never seriously considered myself a poet, and still struggle to do so despite having had several poems published over the year. So I really did think Marilyn was joking when she said would I be September’s guest poet. She wasn’t joking, and persuaded me to agree.

I’m an occasional attendee at these poetry nights, which are held in a local pub and attract an audience of anywhere between five and twenty. They’re usually a chance to catch up with fellow writers – and those I consider ‘real’ poets like my friend Marilyn – and I generally take one or two of my political poems to read in the open mic set. And they do seem to be well received, which is lovely.

But having to select poems to fill a 10 to 15 minute slot was a different matter altogether. What to choose when the bulk of them are undeniably political and often less than flattering to politicians and governments of the day. They are also of the moment; a snapshot in time. I wasn’t really aware of that aspect until I pulled out the folders and realised just how many poems I’d written over the last 15 years ago.

I’m an accidental poet. In the early days of the pulp mill campaign I was invited to join a word game by New Zealand writer, Yvonne. I didn’t know her really, but her name often cropped up as the author of a story or essay published in the same UK small press magazine I was also beginning to have some success with. After spotting an item in a writing magazine about her first novel being published, I emailed my congratulations as a fellow southern hemisphere writer who was also achieving success. To may astonishment she replied and invited me to join Word Expo, a weekly online word game that was seeking some new players.

Because it was described as a game, not a writing exercise, I decided to give it a go and for reasons that remain a mystery to me what emerges from the disparate list of words submitted by that week’s players, is often poetry. And they are usually political. During the campaign years that meant many of them were about the pulp mill.
For my guest poet gig therefore the mill was one of the three issues I focussed on. The others being refugees, and climate change. It was a fun evening and it’s crystallised a decision to put together a book of these poems that are a poetic social and political history. Although quite when I shall have time to do this is unclear!

I’ve decided it’s also time I officially ‘come out’ as a poet, and added Tas Poet Performer to my writer CV!

 

Setting writing goals

So this is the plan, and as I’ve now articulated it several times – most recently at the resurrected Write Here meeting last weekend – there’s a lot more incentive to stick to the timeline I’ve set myself, and actually achieve it. Or else be shamed into having to confess I failed.

My 2021 calendar and dairy therefore now show the first three days of each week are to be devoted to writing. Notwithstanding life’s unexpected spanners occasionally. And not just writing The Book, since the bread and butter article writing cannot be ignored, but my aim is to be considerably more disciplined about the whole task ahead, and considerably less available to distractions – however pleasurable or tempting invitations to do this or meet for that may be.

So far so good, (but let’s not get too excited; it’s only early February after all) and I feel on track to meet the first milestone in my year-long pact with myself to have the first draft of this book completed by the end of December. But long before that moment arrives my mentor will give initial – and probably brutal – feedback when I’ve completed the first 20,000 words. Goal number one therefore is to reach this target by the end of the month.

Two, or perhaps three months after that I’ll present her with the next 20,000 words. And so on. How many words do I envisage this book will be? How long is a piece of string: I have no idea, but I’m pretty sure I’ll know when I’ve reached The End.

I had a light bulb moment a week or so back while racking my brain to remember when certain actions and events occurred. Eventually I established a clippings archive and so can check these things in the boxes of pulp mill-related news items, letters and articles. But in the early days it never occurred to me to keep such things. Bad move, but then again, who knew in the beginning how important it might be to hang on to them.

But while I might not have the newsprint, I had copies of letters and emails written to my Mum, and to UK- and WA-based friends. I cannot really explain why I chose to keep copies of my weekly letters home, but since writing these missives on the computer, rather than by hand, I had done so. They were the equivalent of a journal, or diary I suppose, and documented our day-to-day activities and life’s ups and downs on the flower farm, at school, and – increasingly during the years of the campaign – opposing the pulp mill.

Pulling these files down from the cupboard and flipping through them has certainly stirred some memories, as well as confirmed a few key dates. These letters have also made achieving that target a lot easier; why reinvent the wheel when the description has already been written, and with an immediacy and a freshness it would be hard to replicate so many years on.

There was certainly no expectation that decision to keep copies – a decision I would have been hard-pressed to explain to myself even then – would ever prove to be so invaluable for the years that spanned the pulp mill campaign. But I’m certainly now thanking my younger self for doing so.

Photo credit: Garry Stannus